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Ainoa Suunta Pohjalla On Eteenp​ä​in

by Eppu Kaipainen & Embry お兄ちゃん

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Notnotice
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Notnotice Landscapes of Your noise make my body go on different journeys. Thank you. Favorite track: Vesirajan Naamat.
Hellschreiber
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Hellschreiber This is an experimental / noise album, full of unsettling tape loops, drones, and field recordings that work together to create an edgy and otherworldly album. The end result is an audio experience that is both soothing and sinister. Very highly recommended!
www.thisisdarkness.com/2021/02/27/frozen-in-time-this-is-darkness-playlist-february-2021/
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1.
THE ONLY WAY AT THE BOTTOM IS FORWARDS Fractures more akin to lessons like a sore memory Broken mere interchange and a cautionary example A shift in the balance of natural power A slip in the Earthly karmic cycle Mother-birthed child of rage has been let out of our chains, we'll just have to understand It wasn't all our fault, we weren't thrown to the wolves from the same starting point In the end , we're not in the same boat with the child of rage In actuality, we're standing in between it and the real problem I prefer to make way and bow. Abstract won't be changed into humanity with pity. Straight words won't bend, pleas will not shake and curses can't shock. My ass is wet from tripping into the gutter The eyes faded over the weekday greys Teeth corroded from eating your own words Heart caved in by the rocks above it Stomach flipped from all that churning Life was over as we knew it. Now it's all over. The world is pretty cruel. The world is cruelly pretty. We've been fucked for cheap Tucked into a soiled bed with a soiled seed Now that we've been taken we can finally take ourselves A hug beneath the skin, south of the equator The atmosphere is free and dead at the same time. Life and the living become synonymous Plus minus zero it is after all! But never has falling felt so uplifting.
2.
FACES AT THE WATER FRONT At that time I stood there, a river filling my shoes And algae patches wrapping around my ankles The cruel blue of moonlight Lit the faces on the water surface Reed antlers There was a scream Collapsing on me
3.
SLUG ALONG A ROADSIDE I've shot the snails from the beyond for three days. My film worn out and I don't think I can hold them for much longer.
4.
Loppupuolet 06:23
END SIDES Along my dog I pressed my face to the grass. She clearly got a lot out of the experience, I tried to close my eyes and find a message not meant for me. It was a gentle suggestion of the tail tip of the ghost of wisdom, but I didn't care. My dog seemed alarmed, but I continued to try. I could stay here, out of it and without a clue.
5.
A WOUND DRAWN IN BLOOD The separation of pleasure and pain A line drawn in water A wound drawn in blood It pleases me when you're not in pain It pleases when I'm not in pain It pleases me to be in pain It pains me when you're in pain Or does it please me after all? Will I fall into the deep waters if I let go? Will you fall asleep if I let go? Will I burn out if I let go? Will you come again if I let go?
6.
I WANT TO BE SURPRISED BY RAIN Trees get lost in landscape Warning signs as well Chain-link fence's chattering like a burglar alarm not caring anymore We're wading through knee high tall grass By the industrialized waters to fish In the after-glow of lamps far over Internally-lit ferry flows past Empty as ever We're lost in landscape Fishing Vines creep up the the river's concrete edge Evading layers of mass Reminding of what was Silence engulfs like a leady sheet Behind the production Cloudy mass of factories swallowing sphere I grasp the rod and an electric impulse initiates I fill my lungs with leery air Wanting to be surprised by rain

about

Seen joining forces on Decaying Spheres' second release on the track "My House is Torn Down Every Evening", are now seen joining forces on their first full length release together. A harrowing noise album that takes the genre to such an avant-garde territory to where calling it "noise" feels like injustice. It's a blend of tape looping, field recordings, drone and deeply personal poetry from Embry cumulating into an album that's as reassuring as it is unsettling.

credits

released February 12, 2021

Embry お兄ちゃん - Vocals (1, 2, 3, 4, 5,6), lyrics (1, 5), additional noise and loops (3, 4)
Dan Fingerman - Additional synths (6), the making of circuit bent instruments (2)
Kristian Lehdesniitty - Field recording (5)
Electricestoc - Snare (2) and bass (6)
Arizona Ryan - Vocals (4)
Wille Karttunen - Guitar and ebow (5)
Heidi Leppänen - Additional vocals (4)
rustedKnifery - Additional vocals (2)
Penguins Have Knees - Additional vocals (2)
Elke - Lapping sounds (5)

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Eppu Kaipainen Finland

Fungal sonic experiments in the fields of drone, noise, ambient, musique concrete and general lofi

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